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Trailer Talk – Exam

Trailer Talk – Exam

Dan Stewart swots up on this week's must-see trailer.

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Release date: January 8, 2010

The cast: Jimi Mistry, Colin Salmon, Luke Mably

The pitch: Eight individuals are in competition for a job at a secretive corporation. They sit down in a locked room to take the final exam, only to find that the paper is blank. They have 80 minutes to find out what the question is… and how to answer it.

The strapline: ‘80 Minutes. 8 Candidates. 1 Answer. No Question.’ But the trailer’s strapline (‘Your Time Starts Now’) is better…

The buzz: This real-time Brit thriller premiered to encouraging reviews at the Edinburgh Festival this summer, with critics comparing it favourably to Cube, the 1997 concept thriller with a similar one-room premise. The cast list is hardly bursting with star names, and rookie director Stuart Hazeldine is an unknown quantity, which means its nationwide roll-out in January can only be based on its quality. A good sign, you’d have to say.

Reasons this could be good: Having a high concept and a low budget can be inspirational, as the makers of not just Cube, but Saw, Rec and Primer can attest. And this is a killer premise. From the evidence of the trailer, Hazeldine has glossed the film with a cinematic sheen rather than a could-be-on-TV look, complete with futuristic-looking sets and atmospheric lighting. It’s good to see Colin Salmon – the man once tipped to be the first black Bond – on cinema screens. When he says “disqualified”, is there any doubt in anyone’s mind that he means “killed”?

Reasons this could be bad: The problem with high concept is that it has to have a very well thought-out end point to avoid disappointing the audience. Think of Danny Boyle’s Sunshine, a terrific concept movie with a loud, wet fart of an ending. We can only hope this doesn’t do the same. Hazeldine’s CV is worryingly slight, his main experience being rewrites of Knowing and last year’s The Day the Earth Stood Still remake. And this really is a cast of bit-part actors and former soap stars. Check out Jimi Mistry’s Jason Statham impression at 0:46. This could end up being The Apprentice: The Movie.

We think: This trailer does a damn good job of selling Exam. In the space of a tautly-edited couple of minutes, we are introduced to the concept, shown flashes of the main characters – spot the hard-ass, the nutcase, the nerd – and shown that some serious shit is going to go down. Our only criticism? That final shot seems quite spoilerific. But, it’s been a long time since British cinema has seen a successful, truly home-grown concept thriller. We hope this can live up to the promise of this exciting promo.

Music: Some Hans Zimmer-like percussive strings to begin with, complete with the ubiquitous high-pitched plucked violin solo (1:24) used to build tension. Then, some 28 Days Later-style rumbling guitar work as all hell breaks loose.

Did you spot?: Check out 1:38. Are they attempting to give a paper cut to her eye? Eesh. Maybe this is more Saw than Cube…

Odds of you seeing it: With Up in the Air, Nowhere Boy and The Road all out at the same time, Exam might be low down your list of priorities in January. But let’s face it – what else do you have to do that month except sit in the cinema?

Dan Stewart

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Comments (6)

  • "Think of Danny Boyle’s Sunlight, a terrific concept movie with a loud, wet fart of an ending."

    Errr… surely you mean Danny Boyle's Sunshine?!

    Written by Dent on December 3rd, 2009 at 13:31

  • No, I meant Danny Boyle's Sunlight, the harrowing tale of the 1970s era laundry detergent. You mean you didn't see it?!

    Whoops.

    Written by Dan Stewart on December 3rd, 2009 at 18:50

  • i thought sunshine had a good ending, could you elaborate as to why you think the ending was a loud wet fart? i'm curious.

    Written by margaux on December 8th, 2009 at 00:06

  • Alright, I'll briefly elaborate. Anyone who hasn't seen Sunshine should probably stop reading now.
    I should begin by saying I really enjoyed Sunshine. It was genuinely tense and creepy, and managed to bring something new to the crowded deep space genre. My own feelings about the ending were that the film dispensed with the ideas-based drama of the first section for this odd fifteen-minute chase sequence. All I really remember (it's a couple of years since I saw it) was lots of extremely shaky camerawork as Cillian Murphy's character was pursued around the ship by Mark Strong's "character," a man evidently given super-strength by his addiction to the sun. I just felt like Alex Garland – the screenwriter, as I recall – wrote himself into a corner, and got out of it using a rather tired action sequence (I rather think he did the same in 28 Days Later, but that's a different story). It would have worked better with a more human ending. And that's what I hope doesn't happen in Exam. It would be sad if what is set up as a clever locked room drama concludes with an explosive guns-drawn setpiece rather than a clever denouement. But that's my two pence.

    Written by Dan Stewart on December 8th, 2009 at 19:47

  • Oh, I thought you meant the film's coda in Sydney.
    The thing I liked about the climactic sequence of the film (as the two surviving men plummet towards the sun in their 'bomb', clashing all the way) is that, with the ordinary workings of physics breaking down and the irrational suddenly working against as much as for Strong's character, the two surviving men find themselves at a sort of paradoxical meeting point where both their, and the film's, diametrically opposed ideologies (science versus religion) are shown to melt together in extremis into a strange sort of coexistence. It was an action sequence, to be sure, but to me it was anything but tired, as it crystallised everything that the film had been about up to that point.

    Written by Anton Bitel on December 8th, 2009 at 21:02

  • I hope this movie ends with the guy coming back in and in shock,

    "Oh shit, we forgot to print the question! Our bad."

    Written by CCCCCCCCCC on December 9th, 2009 at 07:50

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