John Waters’ raucous black comedy is feather ruffling, incomparably brash and absolutely divine.
Sally Potter’s adaptation of a Virginia Woolf classic sees an immortal Tilda Swinton making mischief through the ages.
Jonathan Glazer’s confounding debut, like its protagonist, has plenty of verve and swagger with a pleasingly soft centre.
Russ Meyer brings his sexploitation shtick to the mainstream with stubbornly outrageous results.
This offbeat tale of a melancholy music competition is another wonderfully idiosyncratic offering from avant-garde Canadian director Guy Maddin.
Godard’s colourful romantic comedy is both as stylish and as nonconformist as you’d expect.