Stunt philosopher Slavoj Zizek returns with another round of high-wire intellectual discourse.
By Joseph Walsh
This solid, low-key debut from Scott Graham shows great promise, but fails to satisfy as a compelling drama.
This in-your-face glance at Paris's underground punk community has a surfeit of energy but lacks a compelling reason to exist.
Jem Cohen's beautiful city symphony examines the ambiguity of art and romance.
Barry Berk’s first feature as writer/director is a thriller which attempts to explore and emulate the ravages of grief.
Artist and cartoonist Ralph Steadman is long overdue a cinematic eulogy, but this doc fails to hold the attention.
This Saudi Arabian gem from the country's first woman director is one of the most remarkable and important films of the year.