Reviews
Films Reviews (By Enjoyment)
SUS
SUS stands as an accomplished piece of drama which may be badly suited to cinema but deserves a gold star for effort at least
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Familia Rodante
Familia Rodante leaves the audience in easy satisfaction, but with little left to chew on once the credits roll
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Last Days
Last Days is a somewhat indulgent artistic departure from the traditional forms of story telling
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Oliver Twist
Roman Polanski shows us that life in Victorian Britain could be a harrowing struggle to a grim end indeed
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The Business
Relatively low on sex, drugs and violence, The Business may disappoint some genre fans, but in doing so it achieves a kind of naive charm
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Triomf
Shocking, dark yet distinctively compassionate, Raeburn assertively probes the counter-effects apartheid had on the white lower classes it was supposedly installed to benefit
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Sky Blue
One of the reasons Sky Blue succeeds is due to the stately, unhurried way in which the plot unfurls
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Mysterious Skin
Araki has abandoned his rough-around-the-edges exploitation style in order to give Mysterious Skin the dream-like textures and ironic juxtapositions of David Lynch
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Greenberg
Ultimately, Greenberg will be judged on a script which, in its substitution of wispy idiosyncrasy for sharp, biting humour, may well see Baumbach win over the cynics
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Tetro
Tetro may echo the themes of Francis Ford Coppola’s past masterpieces, but this is the return of an artist, not a legend
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