Reviews
Films Reviews (By Retrospect)
We Are Together
In a theatrical landscape increasingly sympathetic to the documentary, We Are Together is still something truly special.
Retrospect score: 
I’m Not There
It was Hegel who suggested that history is governed by the diktats of ‘world-historical’ individuals.
Retrospect score: 
Charlie Wilson’s War
Amongst the plethora of films about that strangest of beasts, American politics, this is the best.
Retrospect score: 
Into The Wild
You hear the words ‘directed by Sean Penn’ and you don’t necessarily think hippie spiritualism, the poetry of Lord Byron, and the palliating power of nature.
Retrospect score: 
Silent Light
With the likes of Alfonso Cuarón and Alejandro González Iñárritu among his admirers, Carlos Reygadas has emerged as the Mexican filmmaker’s filmmaker.
Retrospect score: 
The Band’s Visit
First time feature director Eran Kolirin has produced a very, very difficult film to dislike.
Retrospect score: 
The Golden Door
The Golden Door is funny, moving and gorgeously photographed with a moral anger burning at its heart
Retrospect score: 
Funny Games
Michael Haneke is an audience-hater, a bourgeois-baiter, a cinematic terrorist.
Retrospect score: 
Persepolis
Marjane Satrapi comes straight out of the underground and socks it to the big boys.
Retrospect score: 
Killer of Sheep
Killer of Sheep’s compelling immediacy and gritty aesthetic owes much to Italian Neo-Realism.
Retrospect score: 
Waltz With Bashir
Ten minutes in to Ari Folman’s Waltz With Bashir, it’s easy to see why this animated documentary was the talk of this year’s Cannes Film Festival.
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