My Winnepeg banner

The Mist

Released
July 4
Directed By
Frank Darabont
Starring Thomas Jane, Marcia Gay Harden, Toby Jones

Related reviews and interviews

Frank Darabont returns to directing after a six-year absence to tread familiar ground with another Stephen King adaptation, this time of The Mist.

After a thunderstorm destroys part of their house, painter David Drayton (Thomas Jane) and his young son Billy head down to the local supermarket to get some supplies. They are met by a whole town of frenzied shoppers spooked by a power cut, and a petrified and bloodied old man ranting about creatures in the strange mist that has descended.

As the terrified townsfolk hole up in the supermarket, the usual, formulaic characters emerge from the woodwork – the annoying woman freaking out, the cynical black man playing the race card and the caustic redneck calling everyone “pussies” all put in an appearance. These cardboard cutouts then proceed to drop clangers so awful that the only horror on display is the script. A script that then demands a huge suspension of disbelief to accept that people would choose to abandon the food, shelter and medical supplies offered by the supermarket to take their chances in the monster-ridden fog that lurks outside.

Despite such conspicuous flaws, The Mist just manages not to go the way of Bernard Matthews by taking an anthropological twist as the veneer of civilised society is stripped away by fear and panic. puts in a solid performance as the fire and brimstone Christian, wet for the apocalypse and recruiting penitents to offer Billy up as sacrifice to appease God’s wrath. Toby Jones also does his career no harm as the head-strong, sharp-shooting checkout assistant, sticking it to monsters, manic shoppers and his officious boss alike.

It’s not until David and his mates escape from the fanatics that the film manages to put aside its initial shortcomings. The refreshingly unconventional conclusion helps to redeem the sporadically crass script (penned by Darabont himself), ludicrous context and special effects that look like they were rendered on a ZX Spectrum. But it’s not quite enough to stop you reflecting on how standards have slipped.

Ed Andrews

Anticipation.

Darabonnt and King back together again. four

Enjoyment.

A clichéd horror-by-numbers until… BAM! two

In Retrospect.

Whoa, never saw that coming! Nice. three
Printer friendly version Printer friendly version rss icon RSS feed for comments

Leave a Reply

You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>


subscribe to LWLies
look inside the current issue of Little White Lies

Sign up to our newsletter for good stuff in your inbox once a week...

latest comments
  • Great interview. He really engaged with the questions. Good stuff.
  • S. Leone’s A Fistful of Dynamite would be a great movie for a midnight screening. It’s cheesy but amazing and filled with revolutionary spirit....
  • Something else worth bearing in mind is that there is hardly one bona-fide Belgian film as such, as all the significant films are co-productions.
    Michael on Ernest Mathijs
  • He’s extraordinarily polite, Van Looy. The two cinemas are very different. I think the Flemish is more vibrant, as any movie that brings in a million viewers in a...
    Michael on Erik Van Looy
  • Cobra button
  • Latin Film Festival button
  • London Film Festival button
  • Love Film button
  • Met Film button
  • Phoenix Cinema button
  • Shooting People button
  • Stellar Network button